Previous Version
3/21/2025, 4:10:36 PM
Like its predecessor, 28 Weeks Later is not a zombie film - because they're not dead, they're infected. This is important.
[Mark Kermode](Mark_Kermode) said the film was an example of [entryist filmmaking](Entryist_filmmaking), introducing its audience to anarcho-syndicalist politics.
28 Weeks Later's [BBFC](BBFC) classification of the movie as having "strong bloody gore and violence" inspired the [BBFC-style Box Office Top 10](BBFC-style_Box_Office_Top_10).
This Version
3/21/2025, 4:10:36 PM
Like its predecessor, 28 Weeks Later is not a zombie film - because they're not dead, they're infected. This is important.
[Mark Kermode](Mark_Kermode) said the film was an example of [entryist filmmaking](Entryist_filmmaking), introducing its audience to anarcho-syndicalist politics.
28 Weeks Later's [BBFC](BBFC) classification of the movie as having "strong bloody gore and violence" inspired the [BBFC-style Box Office Top 10](BBFC-style_Box_Office_Top_10).
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Previous Version
28 Weeks Later
Like its predecessor, 28 Weeks Later is not a zombie film - because they're not dead, they're infected. This is important.
Mark Kermode said the film was an example of entryist filmmaking, introducing its audience to anarcho-syndicalist politics.
28 Weeks Later's BBFC classification of the movie as having "strong bloody gore and violence" inspired the BBFC-style Box Office Top 10.
This Version
28 Weeks Later
Like its predecessor, 28 Weeks Later is not a zombie film - because they're not dead, they're infected. This is important.
Mark Kermode said the film was an example of entryist filmmaking, introducing its audience to anarcho-syndicalist politics.
28 Weeks Later's BBFC classification of the movie as having "strong bloody gore and violence" inspired the BBFC-style Box Office Top 10.